Resources
Books
Boucquet, Kristof. “The Transformation of Viktor Ullmann’s Compositional Language.” In The Impact of Nazism on Twentieth-Century Music. Edited by Erik Levi, 138-152. Vienna: Böhlau, 2014.
Dümling, Albrecht. “What is Internal Exile in Music? The Cases of Walter Braunfels, Heinz Tiessen, Eduard Erdmann and Philipp Jarnach.” In The Impact of Nazism on Twentieth-Century Music. Edited by Erik Levi, 9-26. Vienna: Böhlau, 2014.
Haas, Michael. Forbidden Music – the Jewish Composers Banned by the Nazis. New Haven and London: Yale University Press, 2013.
Kater, Michael. Composers of the Nazi Era: Eight Portraits. New York: Oxford University Press, 2000.
Kater, Michael. The Twisted Muse: Musicians and their Music in the Third Reich. New York: Oxford University Press, 1997.
Karas, Joža. Music in Terezín 1941-1945. New York: Pendragon Press, 1985.
Levi, Erik. Music in the Third Reich. London: Macmillan Press Limited, 1994.
Meyer, Michael. The Politics of Music in the Third Reich. New York: Peter Lang, 1993.
Petropoulos, Jonathan. Art as Politics in the Third Reich. North Carolina: University of North Carolina Press, 1996.
Rickards, Guy. Hindemith, Hartmann and Henze. London: Phaidon Press, 1995.
Voss, Egon. "Socialism and 'Free Development' of Art - Karl Amadeus Hartmann's Opera Simplicius Simpicissimus." In Music, Theatre and Politics in Germany: 1848 to the Third Reich. Edited by Nikolaus Bacht, 273-288. Hants: Ashgate, 2006.
Articles
Hirsch, Lily. “The Berlin "Jüdischer Kulturbund" and the "After-Life" of Franz Schubert: Musical Appropriation and Identity Politics in Nazi Germany.” The Musical Quarterly 90 (2007): 469-507.
Levi, Erik. “Atonality, 12-Tone Music and the Third Reich.” Tempo, New Series 178 (1991): 17-21.
Potter, Pamela. “What is ‘Nazi Music’?” The Musical Quarterly 88 (2005): 428-255.
Powell, Larson. “Historicist Modernism? Figuration and Form in Hartmann's Concerto for Viola, Piano, Wind Instruments, and Percussion (1954-6).” Journal for New Music and Culture (November 2015), accessed 16 April 2016, http://www.searchnewmusic.org/powell_hartmann_nov_2015.pdf
Reinhardt, Lauriejean. “Karl Amadeus Hartmann's Miserae (1933-1934).” Moldenhauer Archives at the Library of Congress
Warnaby, John. “Karl Amadeus Hartmann's 'Klagegesang' and the Re-Emergence of His Early Music.” Tempo, New Series, 180 (1992): 6-12.
Dissertations
Buckton, Mindy. “Re-Contextualizing Viktor Ullmann’s Der Kaiser von Atlantis Within Twentieth-Century German Opera.” BA thesis, Laurentian University, 2010.
Websites
"Composers." The OREL Foundation. Accessed March 15, 2016, http://orelfoundation.org/index.php/composers/article/karl_amadeus_hartmann/
ORT. “Music and the Holocaust.” Music and the Holocaust. Accessed December 5, 2016. http://holocaustmusic.ort.org/
Kube, Michael. "Miserae (1934)." American Symphony Orchestra. October 10, 2001. Accessed April 16, 2016, http://americansymphony.org/miserae-1934/
Liner Notes
Calum McDonald liner note to K. Hartmann, Concerto funebre, Alina Ibragimova (violin), Britten Sinfonia, Jacqueline Shave (Hyperion Records) 2007 CDA67547.
Jens Laurson liner note to K. Hartmann, Wartime Consolations, Linus Roth, Württemberg Chamber Orchestra Heilbronn, José Gallardo (Challenge Classics) 2015 CD72680.
Paula Kennedy liner note to V. Ullmann, Der Kaiser von Atlantis, Gewandhausorchester, Lothar Zagrosek (Decca Records) 1993 CD440854.
Discography
Zehetmair Thomas, Deutsche Kammerphilharmonie. The Violin Concertos. Recorded 1990. Apex 0927494202, 2001. CD.
Boucquet, Kristof. “The Transformation of Viktor Ullmann’s Compositional Language.” In The Impact of Nazism on Twentieth-Century Music. Edited by Erik Levi, 138-152. Vienna: Böhlau, 2014.
Dümling, Albrecht. “What is Internal Exile in Music? The Cases of Walter Braunfels, Heinz Tiessen, Eduard Erdmann and Philipp Jarnach.” In The Impact of Nazism on Twentieth-Century Music. Edited by Erik Levi, 9-26. Vienna: Böhlau, 2014.
Haas, Michael. Forbidden Music – the Jewish Composers Banned by the Nazis. New Haven and London: Yale University Press, 2013.
Kater, Michael. Composers of the Nazi Era: Eight Portraits. New York: Oxford University Press, 2000.
Kater, Michael. The Twisted Muse: Musicians and their Music in the Third Reich. New York: Oxford University Press, 1997.
Karas, Joža. Music in Terezín 1941-1945. New York: Pendragon Press, 1985.
Levi, Erik. Music in the Third Reich. London: Macmillan Press Limited, 1994.
Meyer, Michael. The Politics of Music in the Third Reich. New York: Peter Lang, 1993.
Petropoulos, Jonathan. Art as Politics in the Third Reich. North Carolina: University of North Carolina Press, 1996.
Rickards, Guy. Hindemith, Hartmann and Henze. London: Phaidon Press, 1995.
Voss, Egon. "Socialism and 'Free Development' of Art - Karl Amadeus Hartmann's Opera Simplicius Simpicissimus." In Music, Theatre and Politics in Germany: 1848 to the Third Reich. Edited by Nikolaus Bacht, 273-288. Hants: Ashgate, 2006.
Articles
Hirsch, Lily. “The Berlin "Jüdischer Kulturbund" and the "After-Life" of Franz Schubert: Musical Appropriation and Identity Politics in Nazi Germany.” The Musical Quarterly 90 (2007): 469-507.
Levi, Erik. “Atonality, 12-Tone Music and the Third Reich.” Tempo, New Series 178 (1991): 17-21.
Potter, Pamela. “What is ‘Nazi Music’?” The Musical Quarterly 88 (2005): 428-255.
Powell, Larson. “Historicist Modernism? Figuration and Form in Hartmann's Concerto for Viola, Piano, Wind Instruments, and Percussion (1954-6).” Journal for New Music and Culture (November 2015), accessed 16 April 2016, http://www.searchnewmusic.org/powell_hartmann_nov_2015.pdf
Reinhardt, Lauriejean. “Karl Amadeus Hartmann's Miserae (1933-1934).” Moldenhauer Archives at the Library of Congress
Warnaby, John. “Karl Amadeus Hartmann's 'Klagegesang' and the Re-Emergence of His Early Music.” Tempo, New Series, 180 (1992): 6-12.
Dissertations
Buckton, Mindy. “Re-Contextualizing Viktor Ullmann’s Der Kaiser von Atlantis Within Twentieth-Century German Opera.” BA thesis, Laurentian University, 2010.
Websites
"Composers." The OREL Foundation. Accessed March 15, 2016, http://orelfoundation.org/index.php/composers/article/karl_amadeus_hartmann/
ORT. “Music and the Holocaust.” Music and the Holocaust. Accessed December 5, 2016. http://holocaustmusic.ort.org/
Kube, Michael. "Miserae (1934)." American Symphony Orchestra. October 10, 2001. Accessed April 16, 2016, http://americansymphony.org/miserae-1934/
Liner Notes
Calum McDonald liner note to K. Hartmann, Concerto funebre, Alina Ibragimova (violin), Britten Sinfonia, Jacqueline Shave (Hyperion Records) 2007 CDA67547.
Jens Laurson liner note to K. Hartmann, Wartime Consolations, Linus Roth, Württemberg Chamber Orchestra Heilbronn, José Gallardo (Challenge Classics) 2015 CD72680.
Paula Kennedy liner note to V. Ullmann, Der Kaiser von Atlantis, Gewandhausorchester, Lothar Zagrosek (Decca Records) 1993 CD440854.
Discography
Zehetmair Thomas, Deutsche Kammerphilharmonie. The Violin Concertos. Recorded 1990. Apex 0927494202, 2001. CD.
Image Credits
In order of appearance -
Home page, background image:
Harskamp, Jaap and Paul Dijstelberge. 2012. Street, Berlin. Image. Accessed May 5, 2016, https://abeautifulbook.files.wordpress.com/2012/09/06.jpeg.
Nationalism & Anti-Semitism, Propaganda 1941:
Friedman, Herbert. N0. 50, 1941 – The Jew Baruch. Image. Accessed May 10, 2016. http://www.psywarrior.com/AntiSemiticWWII.html.
Nazi Party & Policies, RMK stamp header:
Papers Please, 2016. Reichsmusikkammer ID. Image. Accessed May 9, 2016. http://www.papersplease.com/catalog/item.php?prodpa=&unid=2145.
Degenerate Music Exhibition Poster:
Music and the Holocaust. Degenerate Music Exhibition Poster. Image. Accessed March 17, 2016. http://holocaustmusic.ort.org/politics-and-propaganda/third-reich/.
Hartmann profile picture:
Schott Musik. Komponistenportrait Karl Amadeus Hartmann In München. Image. Accessed April 10, 2016. http://www.schottmusik.de/cms/resources/12954505203a8fd617a2e96b4360d141d71eb8c48b/BannerHartmann.jpg.
The Man & his Music, Hartmann and his wife:
Guy Rickards. Karl Amadeus Hartmann with his wife Elisabeth in their Munich home, 1939. In Hindemith, Hartmann and Henze. London, Phaidon Press, 1995.
Ullmann profile picture:
New York Classical Reviews. Young Viktor Ullmann. Image. Accessed May 9, 2016. http://newyorkclassicalreview.com/2015/10/vocal-artists-pay-worthy-tribute-to-viktor-ullmann/.
The Man & his Music, Sketch of Ullmann by Kien:
Music of Remembrance. Sketch Of Viktor Ullmann By Peter Kien. Image. Accessed May 8, 2016. http://www.musicofremembrance.org/~musicofr/concert/emperor-atlantis.
The Man & his Music, concert programme:
Music and the Holocaust. Viktor Ullmann's Studio For New Music Concert Programme, 1944. Image. Accessed March 17, 2016. http://holocaustmusic.ort.org/places/theresienstadt/ullmann-viktor/.
The Man & his Music, entrance to camp:
Czechwanderings. 2015. Entrance To The Ghetto. Image. Accessed April 17, 2016. https://czechwanderings.files.wordpress.com/2013/03/img_1495.jpg.
Der Kaiser von Atlantis, production still:
Schott Musik. Viktor Ullmann: Der Kaiser Von Atlantis / Christian Jost: Death Knocks – 4. Bis 22. September, Staatstheater Oldenburg. Image. Accessed April 17, 2016. http://www.schott-musik.de/news/archive/show,4688.html.
Home page, background image:
Harskamp, Jaap and Paul Dijstelberge. 2012. Street, Berlin. Image. Accessed May 5, 2016, https://abeautifulbook.files.wordpress.com/2012/09/06.jpeg.
Nationalism & Anti-Semitism, Propaganda 1941:
Friedman, Herbert. N0. 50, 1941 – The Jew Baruch. Image. Accessed May 10, 2016. http://www.psywarrior.com/AntiSemiticWWII.html.
Nazi Party & Policies, RMK stamp header:
Papers Please, 2016. Reichsmusikkammer ID. Image. Accessed May 9, 2016. http://www.papersplease.com/catalog/item.php?prodpa=&unid=2145.
Degenerate Music Exhibition Poster:
Music and the Holocaust. Degenerate Music Exhibition Poster. Image. Accessed March 17, 2016. http://holocaustmusic.ort.org/politics-and-propaganda/third-reich/.
Hartmann profile picture:
Schott Musik. Komponistenportrait Karl Amadeus Hartmann In München. Image. Accessed April 10, 2016. http://www.schottmusik.de/cms/resources/12954505203a8fd617a2e96b4360d141d71eb8c48b/BannerHartmann.jpg.
The Man & his Music, Hartmann and his wife:
Guy Rickards. Karl Amadeus Hartmann with his wife Elisabeth in their Munich home, 1939. In Hindemith, Hartmann and Henze. London, Phaidon Press, 1995.
Ullmann profile picture:
New York Classical Reviews. Young Viktor Ullmann. Image. Accessed May 9, 2016. http://newyorkclassicalreview.com/2015/10/vocal-artists-pay-worthy-tribute-to-viktor-ullmann/.
The Man & his Music, Sketch of Ullmann by Kien:
Music of Remembrance. Sketch Of Viktor Ullmann By Peter Kien. Image. Accessed May 8, 2016. http://www.musicofremembrance.org/~musicofr/concert/emperor-atlantis.
The Man & his Music, concert programme:
Music and the Holocaust. Viktor Ullmann's Studio For New Music Concert Programme, 1944. Image. Accessed March 17, 2016. http://holocaustmusic.ort.org/places/theresienstadt/ullmann-viktor/.
The Man & his Music, entrance to camp:
Czechwanderings. 2015. Entrance To The Ghetto. Image. Accessed April 17, 2016. https://czechwanderings.files.wordpress.com/2013/03/img_1495.jpg.
Der Kaiser von Atlantis, production still:
Schott Musik. Viktor Ullmann: Der Kaiser Von Atlantis / Christian Jost: Death Knocks – 4. Bis 22. September, Staatstheater Oldenburg. Image. Accessed April 17, 2016. http://www.schott-musik.de/news/archive/show,4688.html.